Publications
2023
2023. Mystic Peak: Japanese Art from the Jane and Raphael Bernstein Collection. Self-published, Blurb.
2023. Mystic Peak: Japanese Art from the Jane and Raphael Bernstein Collection. Self-published, Blurb.
2023. “Ōtagaki Rengetsu’s Waka Poetics: Sentiment, Selfhood, and the Saigyō Persona”. In Japan in the Age of Modernization: The Arts of Ōtagaki Rengetsu and Tomioka Tessai. Washington, DC: Smithsonian Institution Scholarly Press
2023. “Ōtagaki Rengetsu’s Waka Poetics: Sentiment, Selfhood, and the Saigyō Persona”. In Japan in the Age of Modernization: The Arts of Ōtagaki Rengetsu and Tomioka Tessai. Washington, DC: Smithsonian Institution Scholarly Press
2021
2021. “Poetic Visions: The Literary Imagination in Japanese Painting”. In A Legacy for Learning: The Jane and Raphael Bernstein Collection, Pp. 60-81. Hood Museum of Art, Dartmouth College
2021. “Poetic Visions: The Literary Imagination in Japanese Painting”. In A Legacy for Learning: The Jane and Raphael Bernstein Collection, Pp. 60-81. Hood Museum of Art, Dartmouth College
2021. “Furēmu to Paratekusuto: ‘Genji Keizu’ to Jimyaku No Monogatari [Frame Stories and Paratexts: Genji Genealogies and Lineal Narratives]”. In Sano Midori Sensei Koki Kinen Ronshū Kankōkai Ed., Zōkei No Poetika: Nihon Bijutsushi O Meguru Atarana Chihei [The Poetics of Form: New Horizons in Japanese Art History], Pp. 345-70. Seikansha. In Japanese, trans. Professor Sano Midori.
2021. “Furēmu to Paratekusuto: ‘Genji Keizu’ to Jimyaku No Monogatari [Frame Stories and Paratexts: Genji Genealogies and Lineal Narratives]”. In Sano Midori Sensei Koki Kinen Ronshū Kankōkai Ed., Zōkei No Poetika: Nihon Bijutsushi O Meguru Atarana Chihei [The Poetics of Form: New Horizons in Japanese Art History], Pp. 345-70. Seikansha. In Japanese, trans. Professor Sano Midori.
2019
2019. “Murasaki’s Mind Ground: A Buddhist Theory of the Novel”. In Murasaki Shikibu’s The Tale of Genji: Philosophical Perspectives, Pp. 257-89. Oxford: Oxford University Press
2019. “Murasaki’s Mind Ground: A Buddhist Theory of the Novel”. In Murasaki Shikibu’s The Tale of Genji: Philosophical Perspectives, Pp. 257-89. Oxford: Oxford University Press
2019. The Tale of Genji: A Japanese Classic Illuminated. New York: Metropolitan Museum of Art and Yale University Press
2019. The Tale of Genji: A Japanese Classic Illuminated. New York: Metropolitan Museum of Art and Yale University Press
2019. “Beyond Narrative Illustration: What Genji Paintings Do”. In The Tale of Genji: A Japanese Classic Illuminated, Pp. 43-55. Metropolitan Museum of Art and Yale University Press
2019. “Beyond Narrative Illustration: What Genji Paintings Do”. In The Tale of Genji: A Japanese Classic Illuminated, Pp. 43-55. Metropolitan Museum of Art and Yale University Press
2018
2018. “The Chrysanthemum Spirit,” Translation and Introduction”. In Monsters, Animals, and Other Worlds, Pp. 294-305. New York: Columbia University Press
2018. “The Chrysanthemum Spirit,” Translation and Introduction”. In Monsters, Animals, and Other Worlds, Pp. 294-305. New York: Columbia University Press
2018. The Tale of Genji: A Visual Companion. Princeton: Princeton University Press
2018. The Tale of Genji: A Visual Companion. Princeton: Princeton University Press
2017
2017. “Purple Displaces Crimson: The Wakan Dialectic As Polemic”. In Dora Ching, Louise Cort, and Andrew Watsky, Eds. Around Chigusa: Tea and the Arts of Sixteenth-Century Japan, Pp. 181-208. Princeton: Princeton University Press
2017. “Purple Displaces Crimson: The Wakan Dialectic As Polemic”. In Dora Ching, Louise Cort, and Andrew Watsky, Eds. Around Chigusa: Tea and the Arts of Sixteenth-Century Japan, Pp. 181-208. Princeton: Princeton University Press
2015
2015. “’Murasaki Shikibu Ishiyamamōde Zufuku’ Ni Okeru Sho Mondai—wa to Kan No Sakai Ni Aru Murasaki Shikibu Zō” [Murasaki Shikibu at Ishiyamadera: An Image Between Wa and Kan]”. Kokka 1434. In Japanese, Trans. By Professor Ido Misato., Pp. 5-21
2015. “’Murasaki Shikibu Ishiyamamōde Zufuku’ Ni Okeru Sho Mondai—wa to Kan No Sakai Ni Aru Murasaki Shikibu Zō” [Murasaki Shikibu at Ishiyamadera: An Image Between Wa and Kan]”. Kokka 1434. In Japanese, Trans. By Professor Ido Misato., Pp. 5-21
2014
2014. “Bijutsu-Shi Kara Mita Shinkurōdo—Merissa Makōmikku Shi Intabyū [The New Chamberlain from an Art Historical Perspective: Interview With Melissa McCormick]”. In Abe Yasurō, et Al Eds. Muromachi Jidai No Shōjo Kakumei ‘Shinkurōdo’ Emaki No Sekai [Revolutionary Girl of the Muromachi Period: The World of The New Chamberlain, Pp. 166-78. Tokyo: Kasama Shoin
2014. “Bijutsu-Shi Kara Mita Shinkurōdo—Merissa Makōmikku Shi Intabyū [The New Chamberlain from an Art Historical Perspective: Interview With Melissa McCormick]”. In Abe Yasurō, et Al Eds. Muromachi Jidai No Shōjo Kakumei ‘Shinkurōdo’ Emaki No Sekai [Revolutionary Girl of the Muromachi Period: The World of The New Chamberlain, Pp. 166-78. Tokyo: Kasama Shoin